Content: Evil / Fighting in Built Up Areas / Soft Power / He Took Her to a Movie
03 November 2015
16 October 2015
Helen was nominated in the Most Stylish Musician category at Scottish Style Awards
According to Helen: "The last time i was nominated for anything was in high school 'Worst Haircut' (no accounting for taste) so it is with great pleasure that i have been nominated in the category 'Most Stylish Musician' at this years Scottish Style Awards!!!!".
03 October 2015
"Witching Hour" was released 10 years ago today
The incredible Witching Hour was released 10 years ago on 3 October. This album is generally considered Ladytron's best and signified a pretty radical change of their style from the electropop of 604 and Light & Magic to a rockier/heavier sound. Witching Hour didn't age a bit and it still sounds fresh.
15 September 2015
Ladytron featured on the 2014 music documentary "Beautiful Noise"
Ladytron featured shortly on the section "Resurgence" of the 2014 music documentary Beautiful Noise. This documentary also features several short interviews with Daniel Hunt.
Beautiful Noise is about dreampop/shoegaze bands of 80s-mid 90s. This documentary consists of a short history of the most important dreampop/shoegaze bands, snippets from videoclips and interviews with a lot of musicians (Kevin Shields and Debbie Googe from My Bloody Valentine, Trent Reznor from Nine Inch Nails, Billy Corgan from The Smashing Pumpkins, Robert Smith from The Cure, Emma Anderson from Lush, Toni Halliday from Curve, Jim Reid from JAMC, Neil Halstead from Slowdive, Bobby Gillespie from Primal Scream, Anthony Gonzalez from M83, etc).
Beautiful Noise is about dreampop/shoegaze bands of 80s-mid 90s. This documentary consists of a short history of the most important dreampop/shoegaze bands, snippets from videoclips and interviews with a lot of musicians (Kevin Shields and Debbie Googe from My Bloody Valentine, Trent Reznor from Nine Inch Nails, Billy Corgan from The Smashing Pumpkins, Robert Smith from The Cure, Emma Anderson from Lush, Toni Halliday from Curve, Jim Reid from JAMC, Neil Halstead from Slowdive, Bobby Gillespie from Primal Scream, Anthony Gonzalez from M83, etc).
15 August 2015
Soulwax - Seventeen vs. Billie Jean
A mash-up of "Seventeen" by Ladytron and "Billie Jean" by Michael Jackson.
04 August 2015
Ladytron featured on NME's The Famous Songs That Gifted These 23 Massive Bands Their Names list
"It's remarkable to think Liverpool's Ladytron formed as long ago as 1999, though the song they named themselves after was an ambient glam classic by Roxy Music from the early seventies. When Bryan and Brian performed on The Old Grey Whistle Test in 1972, they famously upset host 'Whispering' Bob Harris by sounding too much like the future".
Source
Source
18 July 2015
Virtual Festivals interview (2003)
Virtual Festivals: Ladytron have been playing an awful lot of festivals recently...
Helen Marnie: Yeah. The last couple of months we've been doing the European festivals like Norway, Sweden, Spain, Greece and Portugal. This is our first UK one this year.
How does Leeds compare?
They're all different. Like Spain for example. Spain's just a mad country anyway - it works differently! This is the third time we've done Reading/Leeds in a row but Reading yesterday was the best we've ever done so we're looking forward to Leeds. Our stage is really good this year. Last year we were put on in the dance tent and we didn't quite fit. Although it's dance-able and stuff, it's not dance music. It's pop and a bit of rock - not what people really want to see in that tent. It's much better this year now that we're on the Radio 1 stage.
What would be your fantasy festival line-up?
The line-up on our stage that I watched yesterday, Electric Six, that was just amazing. The crowd went mad. They were a good fun band. I love Interpol. I've also now seen the Polyphonic Spree! But on my perfect line-up, Prince would probably be there and then I'd have to have somebody like Joni Mitchell. I think that the line-up on the Radio 1 stage is very good this year.
You've had a lot of press this year. How has that affected the band?
I think that we've still got a long way to go but it's good that we have been doing a lot of festivals 'cos that's not our audience really. Like yesterday at Reading, on the front row, you could see a few people that knew you but the majority was just like people who had probably never heard of you. It's a good thing to do, to get more exposure. The last year's been really good because we've been touring America and everything seems to be going quite well.
Ladytron have been cited as fashion icons. How have you found that?
It's a bit weird because it's not what we set to do. Some fashonistas have latched onto the fact that we wear uniforms and things. That's not why we wore the uniform in the first place. It was a uniform so therefore it wasn't fashion but it's backfired a little bit!
Have you had any time to write any new material this year?
Touring is not the environment for us to make music. Although you have the ideas for things like that we haven't had the chance to put them down. Once all the festivals are done and the UK tour finishes we're going to go back in the studio, get everything down and just start again.
Are you anticipating a different direction for the new record?
Yeah, I think that this year's live show will influence what we do a lot 'cos our sound has progressed more with a live drummer and bass player on stage. It completely changes the way we are and it's made us all a lot more confident. It will affect the way we go in and record. I think it will rock a bit more than previous records.
Source
Helen Marnie: Yeah. The last couple of months we've been doing the European festivals like Norway, Sweden, Spain, Greece and Portugal. This is our first UK one this year.
They're all different. Like Spain for example. Spain's just a mad country anyway - it works differently! This is the third time we've done Reading/Leeds in a row but Reading yesterday was the best we've ever done so we're looking forward to Leeds. Our stage is really good this year. Last year we were put on in the dance tent and we didn't quite fit. Although it's dance-able and stuff, it's not dance music. It's pop and a bit of rock - not what people really want to see in that tent. It's much better this year now that we're on the Radio 1 stage.
What would be your fantasy festival line-up?
The line-up on our stage that I watched yesterday, Electric Six, that was just amazing. The crowd went mad. They were a good fun band. I love Interpol. I've also now seen the Polyphonic Spree! But on my perfect line-up, Prince would probably be there and then I'd have to have somebody like Joni Mitchell. I think that the line-up on the Radio 1 stage is very good this year.
You've had a lot of press this year. How has that affected the band?
I think that we've still got a long way to go but it's good that we have been doing a lot of festivals 'cos that's not our audience really. Like yesterday at Reading, on the front row, you could see a few people that knew you but the majority was just like people who had probably never heard of you. It's a good thing to do, to get more exposure. The last year's been really good because we've been touring America and everything seems to be going quite well.
Ladytron have been cited as fashion icons. How have you found that?
It's a bit weird because it's not what we set to do. Some fashonistas have latched onto the fact that we wear uniforms and things. That's not why we wore the uniform in the first place. It was a uniform so therefore it wasn't fashion but it's backfired a little bit!
Have you had any time to write any new material this year?
Touring is not the environment for us to make music. Although you have the ideas for things like that we haven't had the chance to put them down. Once all the festivals are done and the UK tour finishes we're going to go back in the studio, get everything down and just start again.
Are you anticipating a different direction for the new record?
Yeah, I think that this year's live show will influence what we do a lot 'cos our sound has progressed more with a live drummer and bass player on stage. It completely changes the way we are and it's made us all a lot more confident. It will affect the way we go in and record. I think it will rock a bit more than previous records.
Source
17 July 2015
Q Magazine Special: The Story of Electro-pop (2005)
Phase Four
[...]
"We bumped into Tiga last year", explains Ladytron's songwriter Daniel Hunt, "and he said, Congratulations for escaping electroclash". While Montreal DJ Tiga has so far failed to follow-up his Top 30 cover of Corey Hart's "Sunglasses at Night", Liverpool-based Ladytron have just completed their third album, due for release in early 2005.
Founding member Daniel Hunt started making electronic music after buying dilapidated synths for "next to nothing from this huge car boot sale right by the ventilation shaft of the Mersey tunnel. It was a bit like Barter Town in Mad Max".
In 1999, he joined forces with a fellow designer, a model and genetics student, namely Reuben Wu, Helen Marnie and Mira Aroyo, to record Ladytron's first single, "He Took Her to a Movie", on a 50 pounds budget.
Apart from mucking about half-broken machinery, Hunt was drawn to synthesizers because "not only are Depeche Mode one of my favourite bands, they seemed to offer a completely different view of how alternative music could be made".
Dressed in uniform black ("we wanted simplicity") they released 604, an album of quietly understated pop, in 2001, followed by the more ambitious Light & Magic a year and a half later. The latter contains the excellent singles "Seventeen" and "Evil", and is both more powerful and better designed - a concept that is close to their heart.
"It does feel as if the way the future was anticipated 30 years ago has actually happened", argues Hunt, pointing out the futuristic designs of iPods, digital cameras, mobile phones and so on. "It didn't look as if it would and then suddenly you look around and it kind of has".
Meanwhile, Ladytron's forward-looking style has not only survived electroclash and the financial meltdown of their label (they're now signed to Island), they even spent autumn of 2004 touring China in association with the British Council to promote 21st-century music.
Their new songs are described by Hunt as "still electronic but nastier. We've always been into Neu! and My Bloody Valentine and now we can be influenced by stuff like that. Before it would still sound like The Human League by the time we'd put the ideas through some ancient synth".
[...]
As Ladytron's Daniel Hunt explains, "there's a lot of stuff that's completely taboo, that you're not allowed to like. It's as if people are afraid of it. And if you're influenced by anything from that period, then they think it must be a joke, that you don't actually like it. But it also means that you're starting out with something fresh, that you're not using all the usual old reference points".
Scans source. I transcribed only the parts where Ladytron were mentioned.
[...]
Founding member Daniel Hunt started making electronic music after buying dilapidated synths for "next to nothing from this huge car boot sale right by the ventilation shaft of the Mersey tunnel. It was a bit like Barter Town in Mad Max".
In 1999, he joined forces with a fellow designer, a model and genetics student, namely Reuben Wu, Helen Marnie and Mira Aroyo, to record Ladytron's first single, "He Took Her to a Movie", on a 50 pounds budget.
Apart from mucking about half-broken machinery, Hunt was drawn to synthesizers because "not only are Depeche Mode one of my favourite bands, they seemed to offer a completely different view of how alternative music could be made".
Dressed in uniform black ("we wanted simplicity") they released 604, an album of quietly understated pop, in 2001, followed by the more ambitious Light & Magic a year and a half later. The latter contains the excellent singles "Seventeen" and "Evil", and is both more powerful and better designed - a concept that is close to their heart.
"It does feel as if the way the future was anticipated 30 years ago has actually happened", argues Hunt, pointing out the futuristic designs of iPods, digital cameras, mobile phones and so on. "It didn't look as if it would and then suddenly you look around and it kind of has".
Meanwhile, Ladytron's forward-looking style has not only survived electroclash and the financial meltdown of their label (they're now signed to Island), they even spent autumn of 2004 touring China in association with the British Council to promote 21st-century music.
Their new songs are described by Hunt as "still electronic but nastier. We've always been into Neu! and My Bloody Valentine and now we can be influenced by stuff like that. Before it would still sound like The Human League by the time we'd put the ideas through some ancient synth".
[...]
As Ladytron's Daniel Hunt explains, "there's a lot of stuff that's completely taboo, that you're not allowed to like. It's as if people are afraid of it. And if you're influenced by anything from that period, then they think it must be a joke, that you don't actually like it. But it also means that you're starting out with something fresh, that you're not using all the usual old reference points".
Scans source. I transcribed only the parts where Ladytron were mentioned.
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