26 September 2014

Chief Mag interview (2007)

Ladytron is an electro-super-synth-pop band that hails from, among other cities, Liverpool. We spoke with Mira Aroyo, a founding member and songwriter, about the newest album, Witching Hour, and sing-songing in Bulgarian.

Chief Magazine: What were you listening to when you were a kid?

Mira Aroyo of Ladytron: Well, in my teens? A lot of Nick Cave and Bob Dylan and Neil Young and Joni Mitchell and Leonard Cohen. These were things that were past on from my parents, so it was kind of a nice first point of reference. And I was into Nirvana, Sonic Youth, The Pixies, things like that... My Bloody Valentine.

Then I got into sort krauty music and that's kind of how I got into electronic music. I used to go to a lot of krautrock. That's how I got into dance music, sort of, even though it's not dance music at all. I kind of missed out on the rave thing the first time around. I was listening to Sonic Youth, and then I ran into it after it actually finished, sort of in the mid-nineties. But a lot of sixties stuff, Joni Mitchell, Pink Floyd, Syd Barrett, all sorts of Phil Spector stuff, Serge Gainsbourg, a lot of country.

I was actually looking at your MySpace page. I think MySpace is becoming a new kind of forum for bands to promote but also to actually see their fan's faces, to develop a more intimate connection.

Yeah, definitely. The four of us do it. There's no record label or anyone or anything like that. We spend a lot of our time reading messages and answering messages and stuff like that. People realize that something is not being organized properly or not working and will write a letter saying, oh, I don't know, "There's a problem with the pictures here or there". And you say "Oh, I'm sorry", and then you fix it. There's a hands-on effect.

Do you guys trade off work on the MySpace page?

We all do it as we feel. Sometimes, you know, we just all do it as we feel but we all, it takes quite a bit of time.

Where are you based?

Helen [Marnie] and I live in London. Reuben [Wu] and Dan [Hunt], when we see them, are in Liverpool, though Dan lives in Milan. We recorded Witching Hour in and we have a studio down there. So, I guess in between London and Liverpool, really.

You sing a lot of your songs in Bulgarian. How did that develop?

It started one night when we were recording a long time before "Evil" was out. We were doing a song called "Commodore Rock" and we were just drunk, you know. We'd been out and we got back and it was just like, "Oh, so should we try it", because the rhythm is a lot more staccato. It's got a different diction and different rhythm than English. So it started off as a drunken idea and I just started mashing up loads of lyrics from Bulgarian songs, the national anthem and stuff like that. But it kind of worked and we did another few things on 604 in Bulgarian because of the rhythm of it and I just kept on doing that when the song came up with a similar rhythm. I wouldn't be able to do rhythmically what I do in Bulgarian in English. It's just so very different. It's not patriotic thing or something like that.

So, when you're writing the lyrics are you collaging Bulgarian lyrics from other songs?

Yeah, yeah. Well, "Commodore Rock" was pasted together from all sorts of sort national kinds of songs but the rest of the songs, they're all my own lyrics. Like "Discotraxx" from the first record and the other stuff are usually the same type of lyrics in English but in Bulgarian.

Does the band plan to meet in London and Liverpool to rehearse and write?

Yeah. We rehearse before tours and then we all write separately at home and then we get together, like in pairs or as a band, and then we end up in a proper commercial studio record stuff. We're quite concentrated when we work.

Are the lyrics written before you head in to the studio?

The songs are pretty much written before we go into the studio. The songs are written in our home studio, sometimes away from any kind of equipment, but some may be semi-developed, and then you work on it from there. They'll be 80 percent developed and then you build it up. It's different from song to song.

Do you guys show up to the studios with most of the ideas for the weirder effects developed?

Yeah. I mean, we do come up with a lot of the stuff that's on the way to getting produced, just done in home studios. We have an idea, but on the other hand, some songs take up a little bit of time but other songs completely develop in ways we wouldn't have imagined before going into the studio. Like in the case of Witching Hour, with Jim Abbiss. Jim Abbiss really helped us realize a lot of stuff that we wanted to do but we weren't articulating.

Was there a concept in mind when you put together Witching Hour? Do you think about that or does it sort of happen organically?

We'd been touring Light & Magic and 604 for the two years prior to Witching Hour, that I think the sound really built up because we were playing live so much. I mean, before Light & Magic, we hadn't really been a touring band. We played a few gigs but we were never really happy with the live shows. When Light & Magic came out we went on the road properly and we turned into a proper, viable sort of touring band and we learned quite a lot of dynamics. We were working with a drummer we found it a lot more organic because everything was being played live. Songs from Light & Magic and 604 were developing and taking on a new energy, so a lot of that went into Witching Hour.

We realized what we wanted to achieve, and we were kind of happiest with this sound.

Are you guys writing now?

We wrote a whole lot of stuff during the summer and then we started touring again and we've been on a big U.S. and Canada and Mexico tour in the autumn. Now we've come back from South America and a couple of more dates in the U.S. I think we're going to stop the touring a little bit, have a few shows here and there, maybe more so in Europe, but concentrate on the next record. We're hoping to finish it by the end of April. We've got about 20, 25 songs or so written but it doesn't really, you know, sound as an album. It hasn't taken shape yet. So, we've gotta work on that the next couple of months.

Do you get out to see music at all or are you too burnt out from touring?

Oh, I go to shows all the time. I love going to gigs, maybe a little bit less though than I did, maybe, five years ago because we're away a lot and then when I come home... sometimes I like being at home. But I do go and try to see a lot of bands and I go record shopping a lot. We DJ as well, so we kind of have to stay on top of it, really.

What recent show have you seen that you had fun at?

I'm really looking forward to seeing this English band called Circulus and they're playing together with another English band called Crimson. They're kind of prog rock. When [Crimson] plays a live show, they've got, a brass section and the whole show is kind of, like, contagious and a lot of it is very disco.

I've seen you get charged up by a good audience before. What gets you going at a live show?

When someone is jumping or throws something in the front. It's always great to see people dancing all the way to the back. The last time we played New York this boy came up on stage. He got kicked off, but first he said "I lost my virginity to 'Seventeen!'". We were touring with CSS in the United States this autumn and they had a lot of energy. We'd watch their show and they were just so much fun to watch. By the end of their show we'd be playing and they'd go into the crowd wrapped with toilet paper, kind of dressed as mummies and body surfing and stuff like that. Sometimes people don't realize how much we get out of a crowd.

What about any movies? Have you see the new James Bond film yet?

No, I haven't gotten a chance yet. I haven't seen Borat. I think I want to see Borat, too.

Borat is good.

I've haven't had the chance to go to the cinema. I've just seem films on airplanes and they've all been really bad.

Source

17 September 2014

Marnie - "Wolves" videoclip

The videoclip for "Wolves" by Marnie was premiered today. Video directed by Helen Marnie and Michael Sherrington.

10 September 2014

Marnie - "Wolves" lyrics



Hope or pray, but how long
before their cruel minds answer you?
Ha ha ha ha

Hope until we make the rules,
Hold on, how long?
Ha ha ha ha

Blow by blow, oh how long
before you grace us with your song?
Ha ha ha ha

So come with me,
Come with me,
Come with me,
Come with me,
Come with me,
Come with me,
There's a place where you can go, you're angry!

Raise all your voices
Gimme all your hands, take the chances
Don't be fooled, wolves in disguises,
All your hands! All your hands!
Hail for better days!

Raise all your voices
Gimme all your hands, take the chances
Don't be fooled, wolves in disguises,
All your hands! All your hands!
Hail for better days!

Fear or change, oh come on,
And grab your fight and follow though
Ha ha ha ha

Distance will set us apart
Come on, dream on
Ha ha ha ha

Blow by blow, oh how long
before we make it on our own?
Ha ha ha ha

Raise all your voices
Gimme all your hands, take the chances
Don't be fooled, wolves in disguises,
All your hands! All your hands!
Hail for better days!

Raise all your voices
Gimme all your hands, take the chances
Don't be fooled, wolves in disguises,
All your hands! All your hands!
Hail for better days!

09 September 2014

"Wolves", a new single from Marnie

Helen Marnie premiered a new song, "Wolves", a first glimpse of her new album, due in 2015. The song was produced by Jonny Scott and the artwork is by Bone. The song will be released on iTunes on 14 September 2014. You can pre-order it now.

She said about this tune: "Scotland is on a high right now, and the excitement and unknown really creeped into the essence of the song and the lyrics. I wanted to capture that feeling of 'what if', and the thought of people uniting to create change, and the potential that has".



07 September 2014

Under the Radar interview (2014)

Read on as Marnie discusses her favorite Scottish albums, bands, and films, as well as her thoughts on the Scottish Independence Referendum, in which in a few weeks the people of Scotland get to vote on whether or not to secede from the United Kingdom and have Scotland become its own country.

What are your thoughts on the Scottish Independence referendum? Are you for or against independence? Could you explain why?

I have been a Yes supporter from the start. I don't necessarily see it as nationalism, that's not what this is about. It's about having control over your country's affairs and not being tied to a system that frankly does not work for Scotland, and hasn't worked for a long, long time. I have faith that we are a talented enough lot to be able to go it alone.

How do you think Scottish Independence might affect the arts and the Scottish music scene?

I hope that independence brings more investment for the arts, rather than cuts which are happening at present. I want us to be international in our outlook, and being a part of Europe will benefit Scotland. At the moment, it looks like the U.K. is trying to make an exit. Scotland, and Glasgow in particular, has always had a thriving music scene, so I don't see that changing. People are determined enough to go it alone and start creating music. If anything, independence will only inspire musicians more. I haven't met one artist/musician who is a no voter.

What is your favorite album by another Scottish artist and why?

There are lots of amazing Scottish artists, but at the moment I'm really enjoying Honeyblood's new album. I saw them in Glasgow last year and they were raw and fun, and I just knew they were going to take off. I love that it's just the two of them and they manage to create such a full sound.

Which Scottish musician/band most inspired you to start playing music?

I don't think any particular band got me into making or playing music. I started playing classical piano at quite a young age and worked hard at it for a long time. At university though, like a lot of people, I got into Belle and Sebastian.

Who is your favorite new Scottish band or solo artist?

A few months ago I went to see another female duo called Bdy_Prts. They had great melodies and beats. They're working on their debut album at present. The gig was great. Good on stage banter.

What is your favorite film that takes place in Scotland?

I saw Under the Skin this year and I absolutely LOVED IT! It was beautifully shot, and really captured the grittiness of Glasgow. The score was pretty amazing too.

What do you most love about Scotland and being Scottish and what do you most hate about Scotland and being Scottish?

I am very proud to be Scottish. I love Scotland to bits. Even though we are part of the U.K. at present, when I was living in Liverpool and then in London I always felt like a foreigner—like people thought I was some kind of novelty. I guess it's because we are such a small nation. I don't hate anything about Scotland or its people, but what I have found since living here again is that people often think they're not quite good enough. Which is not the case. I guess that sometimes happens when you have been ruled from afar, by an elite that don't really care about Scotland or its people.

Source

22 August 2014

Referendum TV interview (with Helen)

Helen Marnie appeared on Referendum TV to discuss about Scotland's referendum (from 55:02 to 1:02:31). She also talked about Ladytron and her solo album. At the end, Helen announced that she will release a new single soon!

15 August 2014

The Projects live at The Macbeth, London (2014)

3 videos with The Projects' live performance at The Macbeth, London on 5 August 2014. Mira Aroyo sang and played her Korg MS-20.