Reuben Wu posted on SoundCloud an excerpt from a new track for SiteSeer.
20 January 2015
19 January 2015
17 January 2015
MTV Iggy interview (2015)
ICON: Ladytron's Helen Marnie Steps Out on Her Own
In late December, Helen Marnie, one-quarter of Ladytron and, as of recently, a solo artist recording under her last name, played her first solo gig in Glasgow. We met there in a pub to discuss her upcoming album and the fate of her famous band. "I think it went OK", she says modestly, then thinks for a moment. "Except no one told me my keyboard wasn't working for the entire show". The gig — a "not pretentious" benefit for TYCI, the Glasgow-based feminist collective founded by Chvrches' Lauren Mayberry — offered Marnie the chance to get a low-pressure solo show under her belt (and to iron out any kinks like malfunctioning keyboards) before the beginning of a year that will see her play overseas and release her second solo album. It was also a chance to reconnect with the community of her home city of Glasgow, where she returned, after 12 years living in London, two years ago.
With song titles like "High Road" (the name of '90s Scottish soap opera) and allusions to the sea, the influence of her return home is stamped over her first solo album, the warm and emotionally resonant Crystal World, released in 2013. "I think because it was my first solo album, things like my childhood and my influences were going to creep into it", she says. "Crystal World is very reflective and about looking back and reminiscing about things, so Scotland played a big part. It was recorded in Iceland, but Iceland didn't creep into it at all because the music and lyrics were already written".
Marnie went to Reykjavik to record at the studio of Barði Jóhannsson of Bang Gang and Starwalker. She brought on Johansson to co-produce with Ladytron bandmate Daniel Hunt so that the album would not be just a Ladytron project. Now she is working with Jonny Scott, known for his work with The Kills and Olympic Swimmers, who she describes as a "synth geek and quite pop-oriented".
For her next album, which will be out later this year, she plans to write and record with Scott. "I think it will probably go more electronic sounding than the previous one. I think Crystal World had a softer edge. It was electronic but had a folk tinge to it. The next one might be a bit weirder".
As a teaser, Marnie released the Scott-produced "Wolves", a track calling out the establishment and urging people to raise their voices, in September 2014 — pointedly right before the referendum. The chorus goes: "Raise all your voices / Gimme all your hands, take the chances / Don't be fooled, wolves in disguises / All your hands! All your hands! / Hail for better days!"
"I wrote the lyrics at the beginning of 2014 when there was so much information about [the referendum] being thrown at us". She says. "The referendum was part of my life for so long that it was natural that it fed into it. At the time, I realized what I was writing about, and I wanted it to be quite anthemic".
The solo work and return to Glasgow have had some worrying that Ladytron is no more, but that's not the case. In fact, in what will be an exceptionally busy year for Marnie, she expects the band to get started on a sixth album in the second half of this year.
Reflecting on Ladytron's place in and influence on the electronic music scene, she says: "A lot of the electronic music that's coming out now is more pop than Ladytron. I think that we were always more underground than the stuff you would hear in the mainstream. Then, it wasn't like it is now where there's so much electronic music, and a lot of people didn't know where to put us and how to label us".
As for the more immediate future, she has solo gigs lined up in Peru and Mexico this month. It seems natural for her to play in Latin America, which has always been good to Ladytron in comparison to the UK where they "never really took hold". When asked for career highlights, as well as a show in a Brian Eno-produced festival at the Sydney Opera House, she fondly remembers a gig in Mexico City where she could barely hear her own voice over the crowd. The response in Mexico, Brazil, Colombia, and North America has far surpassed that of Ladytron's home country where the band "never really got much radio play".
While the new album is still in the planning stages, one thing she's certain of is that she won't be repeating her last experience of funding it via Pledge Music — an experience she describes as "a lot of hard work" and "quite stressful". She also credits the crowdsourced method as a factor in the subdued reaction it received, although, the reviews it did get were highly positive. "The day the album was available, it went to the pledgers, so I felt that it didn't get much press because [by the time the media heard it] it was old news; it was already out there", she tells us. Neither will she be returning to Reykjavik to record. She says she is quite happy back in her hometown, a "good city" where "the people are good".
"When I make another album I am really looking forward to just staying in Glasgow and making it here", she declares. After more that 10 years in the business, it seems fair that Marnie gets to do it her own way.
Source
In late December, Helen Marnie, one-quarter of Ladytron and, as of recently, a solo artist recording under her last name, played her first solo gig in Glasgow. We met there in a pub to discuss her upcoming album and the fate of her famous band. "I think it went OK", she says modestly, then thinks for a moment. "Except no one told me my keyboard wasn't working for the entire show". The gig — a "not pretentious" benefit for TYCI, the Glasgow-based feminist collective founded by Chvrches' Lauren Mayberry — offered Marnie the chance to get a low-pressure solo show under her belt (and to iron out any kinks like malfunctioning keyboards) before the beginning of a year that will see her play overseas and release her second solo album. It was also a chance to reconnect with the community of her home city of Glasgow, where she returned, after 12 years living in London, two years ago. With song titles like "High Road" (the name of '90s Scottish soap opera) and allusions to the sea, the influence of her return home is stamped over her first solo album, the warm and emotionally resonant Crystal World, released in 2013. "I think because it was my first solo album, things like my childhood and my influences were going to creep into it", she says. "Crystal World is very reflective and about looking back and reminiscing about things, so Scotland played a big part. It was recorded in Iceland, but Iceland didn't creep into it at all because the music and lyrics were already written".
Marnie went to Reykjavik to record at the studio of Barði Jóhannsson of Bang Gang and Starwalker. She brought on Johansson to co-produce with Ladytron bandmate Daniel Hunt so that the album would not be just a Ladytron project. Now she is working with Jonny Scott, known for his work with The Kills and Olympic Swimmers, who she describes as a "synth geek and quite pop-oriented".
For her next album, which will be out later this year, she plans to write and record with Scott. "I think it will probably go more electronic sounding than the previous one. I think Crystal World had a softer edge. It was electronic but had a folk tinge to it. The next one might be a bit weirder".
As a teaser, Marnie released the Scott-produced "Wolves", a track calling out the establishment and urging people to raise their voices, in September 2014 — pointedly right before the referendum. The chorus goes: "Raise all your voices / Gimme all your hands, take the chances / Don't be fooled, wolves in disguises / All your hands! All your hands! / Hail for better days!""I wrote the lyrics at the beginning of 2014 when there was so much information about [the referendum] being thrown at us". She says. "The referendum was part of my life for so long that it was natural that it fed into it. At the time, I realized what I was writing about, and I wanted it to be quite anthemic".
The solo work and return to Glasgow have had some worrying that Ladytron is no more, but that's not the case. In fact, in what will be an exceptionally busy year for Marnie, she expects the band to get started on a sixth album in the second half of this year.
Reflecting on Ladytron's place in and influence on the electronic music scene, she says: "A lot of the electronic music that's coming out now is more pop than Ladytron. I think that we were always more underground than the stuff you would hear in the mainstream. Then, it wasn't like it is now where there's so much electronic music, and a lot of people didn't know where to put us and how to label us".
As for the more immediate future, she has solo gigs lined up in Peru and Mexico this month. It seems natural for her to play in Latin America, which has always been good to Ladytron in comparison to the UK where they "never really took hold". When asked for career highlights, as well as a show in a Brian Eno-produced festival at the Sydney Opera House, she fondly remembers a gig in Mexico City where she could barely hear her own voice over the crowd. The response in Mexico, Brazil, Colombia, and North America has far surpassed that of Ladytron's home country where the band "never really got much radio play".
While the new album is still in the planning stages, one thing she's certain of is that she won't be repeating her last experience of funding it via Pledge Music — an experience she describes as "a lot of hard work" and "quite stressful". She also credits the crowdsourced method as a factor in the subdued reaction it received, although, the reviews it did get were highly positive. "The day the album was available, it went to the pledgers, so I felt that it didn't get much press because [by the time the media heard it] it was old news; it was already out there", she tells us. Neither will she be returning to Reykjavik to record. She says she is quite happy back in her hometown, a "good city" where "the people are good". "When I make another album I am really looking forward to just staying in Glasgow and making it here", she declares. After more that 10 years in the business, it seems fair that Marnie gets to do it her own way.
Source
11 January 2015
Ladytron - Santiago Chile, 2011
Format: MP4, 1280x720
Size: 279 MB
Source: YouTube
Content:
1. Ace of Hz
2. Discotraxx
3. Destroy Everything You Touch
Download
05 January 2015
3 films that influenced Ladytron
The Andromeda Strain
Daniel: "I'm really into The Andromeda Strain [Michael Crichton's futuristic novel that was made into a 1971 movie – Ed.], so that's kind of an influence on the title of the album and the uniforms we've got and stuff. But the design – me and Reuben just love that film". (Source)
Also the design of the US version of the 604 cover (especially the big 604) was probably inspired by some inscriptions from this film.
Watership Down
Mira: "I'm obsessed by films so there are lots of favourites but I really like Watership Down, David Lynch films and lots of horror films". (Source)
Helen: "I love the animation. I love the music. I love rabbits. It's not as simple as being just a gory scare fest. #watershipDown". (Source)
Helen: "I like Watership Down as well". (Source)
Suspiria
Suspiria is a horror film from 1977 directed by Dario Argento about a newcomer to a fancy ballet academy that gradually comes to realize that the school is a front for something far more sinister and supernatural amidst a series of grisly murders.
Suspiria probably influenced Witching Hour in a way. For example the film features witches and the line "Bad luck isn't brought by broken mirrors, but by broken minds" probably was an inspiration for the "Soft Power" lyric "Broken glass, is luxury". Reuben and Helen mentioned this film during the interview for Fly Music below (around 2:11). They also mentioned the films Phenomena and Noir.
Also during a special Halloween show at El Rey, Los Angeles in 2006, Ladytron had Suspiria playing in the background on screens throughout their performance.
31 December 2014
Pictures from Marnie's gig at Stereo, Glasgow, UK (2014)
The first gig of Helen Marnie as solo artist.
Credits: the first 5 pictures by Pamela Graham.
Credits: the first 5 pictures by Pamela Graham.
25 December 2014
"We Are the Sea" live snippet
Unfortunately it seems there are not videos, pictures or audio from Helen's gig at Stereo, Glasgow excepts this short clip...
15 December 2014
Marnie's "Wolves" featured on TEC's 30 Songs of 2014 list
Certainly, the positive response she received for her debut long player Crystal World and a return to her homeland has no doubt inspired her own independence. But with Marnie due to release a second solo album in 2015, what does this all mean for Ladytron?
Source
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